Appalachian Music & Dance Bibliographyrev. 8/15/05 BooksBrunvand, Jan Harold. The Study of American Folklore, An Introduction, 4 th ed. New York: W. W. Norton and Company, 1998. Cauthen, Joyce H. With Fiddle and Well-Rosined Bow. Tuscaloosa, AL: The University of Alabama Press, 1989. Cohen, John and Mike Seeger. Old-Time String Band Songbook. New York: Oak Publications, 1976. Conway, Cecelia. African Banjo Echoes in Appalachia: A Study of Folk Traditions. Knoxville: The University of Tennessee Press, 1995. Delmore, Alton. Truth is Stranger Than Publicity. Nashville: Country Music Foundation Press, 1977. Epstein, Dena J. Sinful Tunes and Spirituals: Black Folk Music to the Civil War. Urbana: University of Illinois Press, 1977. Gura, Philip F. America's Instrument: The Banjo in the Nineteenth-Century. Chapel Hill: The University of North Carolina Press, 1999. Jones, Loyal. Minstrel of the Appalachians: The Story of Bascom Lamar Lunsford. Boone, N.C. : Appalachian Consortium Press, 1984. Lilly, John, ed. Mountains of Music: West Virginia Traditional Music from Goldenseal. Urbana : University of Illinois Press, 1999. Linn, Karen. That Half-Barbaric Twang: The Banjo in American Popular Culture. Urbana: University of Illinois Press, 1994. Malone, Bill C. Country Music, U.S.A. Revised Edition. Austin: University of Texas Press, 1985. __________ Southern Music, American Music. Lexington: The University Press of Kentucky, 1979. Meade, Guthrie T. Jr. Country Music Sources: A Biblio-Discography of Commercially Recorded Traditional Music. Chapel Hill: Southern Folklife Collection, University of North Carolina, 2002. Milnes, Gerald. Play Of A Fiddle: Traditional Music, Dance, and Folklore in West Virginia. Lexington, KY: University Press of Kentucky, 1999. Nathan, Hans. Dan Emmett and the Rise of Negro Minstrelsy. Norman: University of Oklahoma Press, 1962. Russell, Tony. Country Music Records: a Discography, 1921-1942. New York: Oxford University Press, 2004. Smith, Ralph Lee. Appalachian Dulcimer Traditions. Lanham, Md. : Scarecrow Press, 1997. Titon, Jeff Todd. Old-Time Kentucky Fiddle Tunes. Lexington, Ky. : University Press of Kentucky, 2001. Tribe, Ivan M. The Stonemans: An Appalachian Family and the Music That Shaped Their Lives. Urbana: University of Illinois Press, 1993. Webb, Robert Lloyd. Ring the Banjar!: The Banjo in America From Folklore to Factory. Cambridge, MA: MIT Museum, 1984. Wiggins, Gene. Fiddlin' Georgia Crazy: Fiddlin' John Carson, His Real World, and the World of His Songs. Urbana: University of Illinois Press, 1987. Wolfe, Charles K. The Devil's Box: Masters of Southern Fiddling. Nashville: Country Music Foundation Press: Vanderbilt University Press, 1998. __________ A Good-Natured Riot: The Birth of the Grand Ole Opry. Nashville: Country Music Foundation Press and Vanderbilt University Press, 1999. __________ Kentucky Country: Folk and Country Music of Kentucky. Lexington, Ky: University Press of Kentucky, 1982. __________ Tennessee Strings: The Story of Country Music in Tennessee. Knoxville: University of Tennessee Press, 1977. Wolfe, Charles K. and Ted Olson, eds. The Bristol Sessions: Writings About the Big Bang of Country Music. Jefferson, NC: McFarland, 2005. Zwonitzer, Mark. Will you miss me when I'm gone?: The Carter Family & Their Legacy in American Music. New York: Simon & Schuster, 2002. Ballads & SingingCampbell, Olive Dame and Cecil J. Sharp. English Folk Songs from the Southern Appalachians. New York: Putnam, 1917. Cobb, Buell E. The Sacred Harp: A Tradition and Its Music. Athens: University of Georgia Press, 1978. Frank C. Brown Collection of North Carolina Folklore, vol. 2, The Folk Ballads from North Carolina . Henry M. Belden and Arthur Palmer Hudson, eds. Durham: Duke University Press, 1952. __________ vol. 3, The Folk Songs from North Carolina . Henry M. Belden and Arthur Palmer, eds. Durham: Duke University Press, 1952. Jackson, George Pullen. White Spirituals of the Southern Uplands. New York: Dover Publications, 1965. Patterson, Beverly Bush. The Sound of the Dove: Singing in Appalachian Primitive Baptist Churches. Urbana: University of Illinois Press, 1995. Randolph, Vance. Ozark Folksongs, vol. I-III. Columbia: University of Missouri Press, 1980. Ritchie, Jean. Singing Family of the Cumberlands. New York: Oxford University Press, 1955. Sawin, Patricia. Listening for a Life: A Dialogic Ethnography of Bessie Eldreth Through Her Songs and Stories. Logan, Utah: Utah State University Press, 2004. Scarborough, Dorothy. A Song Catcher in Southern Mountains. New York: Columbia University Press, 1937. Sharp, Cecil J. English Folk Songs from the Southern Appalachians, Vol. I & II. London: Oxford University Press, 1932. Swan, M.L. The New Harp of Columbia. Knoxville: University of Tennessee Press, 1978. White, Newman Ivey, ed. The Frank C. Brown Collection of North Carolina Folklore. Durham, NC: Duke University Press, 1952. BluegrassArtis, Bob. Bluegrass : From the Lonesome Wail of a Mountain Love Song to the Hammering Drive of the Scruggs-style Banjo, The Story of an American Musical Tradition . New York : Hawthorn Books, 1975. Cantwell, Robert. Bluegrass Breakdown: The Making of the Old Southern Sound. Urbana: University of Illinois Press, 1984. Price, Steven D. Old as the Hills: The Story of Bluegrass Music. New York: Viking Press, 1975. Rosenberg, Neil V. Bluegrass: A History. Urbana: University of Illinois Press, 1985. Smith, Richard D. Can't You Hear Me Callin': The Life of Bill Monroe, Father of Bluegrass. Boston: Little, Brown and Co., 2000. Wright, John. Traveling the High Way Home: Ralph Stanley and the World of Traditional Bluegrass Music. Urbana: University of Illinois Press, 1993.
DanceEmery, Lynne Fauley. Black Dance, From 1619 to Today. Hightstown, NJ: Princeton Book Company, 1988. Jones, Bessie and Bess Lomax Hawes. Step It Down: Games, Plays, Songs, and Stories from the Afro-American Heritage. New York: Harper and Row, 1972. Seeger, Mike. Talking Feet. Berkeley, CA: North Atlantic Books, 1992. Sharp, Cecil J. and Maud Karpeles. The Country Dance Book, Parts V and VI. London: Novello and Company, 1918. Reprinted, Carshalton, Surrey, England: H. Styles, 1985. Spalding, Susan Eike and Jane Harris Woodside, ed. Communities In Motion. Westport, CN: Greenwood Press, 1995. The Appalachian Region Campbell, John C. The Southern Highlander and His Homeland. New York: Russell Sage Foundation, 1921. Drake, Richard B. A History of Appalachia. Lexington: The University Press of Kentucky, 2001. McNeil, W.K. Appalachian Images in Folk and Popular Culture. Ann Arbor, MI: UMI Research Press, 1989. Olson, Ted. Blue Ridge Folklife. Jackson : University Press of Mississippi, 1998. Shapiro, Henry. Appalachia on Our Mind: The Southern Mountains and Mountaineersin the American Consciousness, 1870-1920. Chapel Hill: University of North Carolina, 1978. Whisnant, David E. All That is Native and Fine. Chapel Hill: University of North Carolina Press, 1983. Williams, John Alexander. Appalachia: A History. Chapel Hill: University of North Carolina Press, 2002. Awake My Soul: The Story of the Sacred Harp (2007) Ballad of a Mountain Man: The Story of Bascom Lamar Lunsford (1990). High Lonesome: The Story of Bluegrass (1994). Legends of Old-Time Music (1995). Legends of Traditional Fingerstyle Guitar (1994). Mountain Legacy (1997). Shady Grove: Old Time Music From North Carolina, Kentucky & Virginia (1997). Songcatcher (2000). Sprout Wings and Fly (1983). Talking Feet: Solo Southern Dance, Buck, Flatfoot and Tap (1987). That High Lonesome Sound: The High Lonesome Sound. The End of an Old Song. Sara and Maybelle. (1996). |