The 1936 Pulitzer Prize winning Broadway hit that became the Academy Award winning film . . . You'll have the "swellest" time of your life with the wacky Sycamore family . . . The most enduring and joyful American comedy ever produced!
Dubbed "stand-up existentialism" by The New York Times . . . As lyrical as it is deadpan, as surreal as it is sincere . . . A mini masterpiece of theatrical irony . . . Winner of the First Fringe Award at the Edinburgh Festival, 2005.
The most touching play of the American Theatre . . . Searing the Wingfield family into our collective consciousness . . . Winner of the New York Drama Critic's Circle Award.
British playwright Sarah Kane was only twenty-eight when she committed suicide in 1999 . . . Her innovative, expressionistic plays have gone to achieve nearly canoical status in Europe . . . Kane's final play, a hypnotic and beautiful one-woman tour-de-force . . . A modern masterpiece of emotional honesty and mental anguish.
Paula Vogel evokes a world of painful family contradictions with empowering humor and empathy . . . A ground-breaking memory play about sexual abuse, growing up, and forgiveness . . . Winner of the 1998 Pulitzer Prize and 1997 Drama Desk Award for Outstanding Play.
As hilarious and timely today as when it was first performed by Shakespeare's company in 1610 . . . The action accelerates to a frenzy . . . Three con artists go after a seemingly endless stream of willing victims . . . A play for our time.